Edson Chagas, Frida Orupabo and Moshekwa Langa feature in From the surrounds, we build the present at Galeria do Torreão Nascente da Cordoaria Nacional. Curated by Cindy Sissokho, 'the exhibition explores everyday realities and moments of freedom that people generate within the environments they inhabit'. 

Moshekwa Langa exhibits in New Babylon: Visions for Another Tomorrow at Kunstmuseum Den Haag. Curated by Zippora Elders and Yasmijn Jarram, the show brings together works that foreground 'the power, the beauty and the necessity of radical thought'.

Jane Alexander, Wim Botha, Steven Cohen, Simon Gush, Pieter Hugo, Mawande Ka Zenzile, Moshekwa Langa, Serge Alain Nitegeka, Deborah Poynton and Penny Siopis feature in We, the People: 30 Years of Democracy in South Africa at the Norval Foundation. Curated by Liese van der Watt, the exhibition frames the country's democratic journey as a 'an ongoing process'. 

Works by Steven Cohen, Simon Gush, Aziz Hazara, Moshekwa Langa, Paulo Nazareth, Thenjiwe Niki Nkosi, Penny Siopis are included in Sowing Watermelon Seeds a curated programme by 16/16 running parallel to the Lagos Biennial that features screenings and workshops on international solidarity. 

Jane Alexander and Moshekwa Langa feature in Arte Povera and South African Art: In Conversation curated by Thembinkosi Goniwe and Ilaria Bernardi. The show aims to 'further develop the bridges between Italy and South Africa, using art as universal language'. 

Edson Chagas, Mawande Ka Zenzile, Dada Khanyisa, Moshekwa Langa, Neo Matloga, Simphiwe Ndzube, Serge Alain Nitegeka, Thenjiwe Niki Nkosi and Barthélémy Toguo exhibit in Africa Supernova at Kunsthal KAde. Drawn from the collection of Carla and Pieter Schulting, the show aims to provide 'a layered picture of how African artists reflect on their self-image'.

Georgina Gratrix, Pieter Hugo, Moshekwa Langa and Jo Ractliffe exhibit in You to Me, Me to You at A4 Arts Foundation. Curated by Francisco Berzunza as a love letter, the exhibitions aims to address 'the perils of unrequited love'.

Moshekwa Langa features in Soul Mapping, a group show taking place across two of Zeno X gallery's Antwerp locations. 

Moshekwa Langa features in The Faithful Friend: The Lover Friend’s Love for the Beloved by 24Classics, a group exhibition that addresses 'how culture has long since changed by the influence of Black and Queer'. 

Moshekwa Langa and Frida Orupabo feature in Customs at A4 Arts Foundation curated by Sumayya Vally and Josh Ginsburg.  The exhibition 'wonders after practices of maintenance, both static and dynamic. What is it that invites us to use, and to be of use'

Moshekwa Langa exhibits in Globalisto. A Philosophy in Flux at Musée d’art moderne et contemporain de Saint-Étienne Métropole (MAMC+), curated by Mo Laudi. The framework is described as 'a call to radical hospitality, openness to unlearn, and the idea of a borderless world'. 

Moshekwa Langa presents a solo exhibition at KM21, the institute for contemporary art affiliated to Kunstmuseum Den Haag. His first major presentation in the Netherlands spans early and recent works, as well as new large-scale charcoal drawings made for the occasion. 

Moshekwa Langa features in The Show is Over, at South London Gallery. Curated by Gabi Ngcobo and Oscar Murillo, the group exhibition focuses on 'gestures of refusal and mourning that establish active and refreshed relationships with the history of power'.

Where Do I Begin by Moshekwa Langa features in A Clearing in the Forest, an evolving display in the Tanks section of Tate Modern. The work is selected for it's articulation of 'the cyclical pattern of eternal return'.

A solo exhibition of Moshekwa Langa's works takes place at the Chapel of the Cordeliers as part of Printemps de septembre. This year's festival is titled Sur les cendres de l’hacienda, inviting artists to grapple with 'the disorientation that characterises our time'.  

Ian Grose, Moshekwa Langa and Deborah Poynton feature in I have made a place, Norval Foundation's group show inspired by David Foster Wallace's notion that, 'our endless and impossible journey toward home is in fact our home.'

Moshekwa Langa, Simphiwe Ndzube, Frida Orupabo, Penny Siopis, Barthélémy Toguo and Portia Zvavahera exhibit in Witness: Afro Perspectives from the Jorge M Pérez Collection at El Espacio 23. The show features over 100 works by artists from the region and its diaspora. 

Edson Chagas, Nicholas Hlobo, Pieter Hugo, Moshekwa Langa, Zanele Muholi, Robin Rhode, Penny Siopis, Guy Tillim feature in Crossing Night: Regional Identities X Global Context at the Museum of Contemporary Art Detroit, a new iteration of the exhibition first shown in Oaxaca, Mexico. The exhibition 'addresses the concerns, thoughts, and desires of contemporary artists from the Southern African region as they grapple with the legacy of post-colonial structures'.

Moshekwa Langa, Viviane Sassen and Portia Zvavahera exhibit at Andrew Kreps Gallery's 55 Walker space in the Tribeca neighborhood of Manhattan. Organized in partnership by the two galleries, the exhibition explores new collaborative models and the ways in which practices can resonate across contexts.

Moshekwa Langa and Nicholas Hlobo feature in Material Insanity at the Museum of African Contemporary Art Al Maaden (MACAAL). The exhibition is framed as a reaction to 'a growing interest in contemporary art directed towards a focus on transient or intangible artworks'.

Jo Ractliffe, Penny Siopis, Pieter Hugo, Steven Cohen, Nicholas Hlobo, Moshekwa Langa, Kemang Wa Lehulere, Zanele Muholi, Simphiwe Ndzube, Robin Rhode and Portia Zvavahera feature in Hacer Noche/Crossing Night, a series of exhibitions and residencies in Oaxaca focusing on southern Africa.

Moshekwa Langa exhibits in across boundaries at the Draiflessen Collection. The exhibition puts maps from various epochs in relation to artworks by international artists that examine the cartographic depiction of space or the influence of maps on our view of the world.

Moshekwa Langa presents a solo exhibition titled Relatives at Blain Southern. For his first exhibition with the gallery, Langa will focus on wall-based works of various forms.

Portia Zvavahera, Moshekwa Langa and Thierry Oussou have new works on the 10th Berlin Biennale, curated by Gabi Ngcobo, who proposes a conversation with artists 'who think and act beyond art as they confront the incessant anxieties perpetuated by a willful disregard for complex subjectivities'.

Meschac Gaba, Moshekwa Langa and Barthélémy Toguo are included in Dak'Art 2018, the 13th Dakar Biennale. This iteration is curated by Simon Njami and themed The Red Hour. The title is taken from Aimé Césaire's play And the Dogs Went Silent, which speaks of emancipation, freedom and responsibility.

Ziphozenkosi Dayile and Kemang Wa Lehulere have curated the inaugural exhibition at A4 Arts Foundation, You and I, which includes work by, among others, Zanele Muholi, Moshekwa Langa and Meschac Gaba. 

Art/Afrique, le nouvel atelier features Nicholas Hlobo, Jane Alexander, Moshekwa Langa, Zanele Muholi, Kemang Wa Lehulere and Bogosi Sekhukhuni on Being There, South Africa; Barthélémy Toguo on The Insiders; and Robin Rhode and Meleko Mokgosi as part of the Louis Vuitton collection.

Meschac Gaba, Simon Gush, Nicholas Hlobo, Moshekwa Langa, Nandipha Mntambo and Guy Tillim are included on Afrique Capitales, curated by Simon Njami, at La Villette in Paris (including the Mois de la Photo) and the Gare Saint Sauveur in Lille.

Meschac Gaba, Barthélémy Toguo, Nandipha Mntambo, Moshekwa Langa and Zanele Muholi are included in When the Heavens Meet the Earth: Selected Works from the Sina Jina Collection of Contemporary Art. The exhibition brings together selected works from Robert Devereux’s contemporary art collection. 

Guy Tillim, Meschac Gaba, Nicholas Hlobo, Moshekwa Langa and Robin Rhode were included in The White Hunter: African Memories and Representations curated by Marco Scotini.