Mame-Diarra Niang features in What Is Parasite and What Is Kin? at the Museum of Modern Art. This showing, forming part of the museum's permanent collection displays, combines artworks that reimagine the portrait format to 'describe human and nonhuman forms of selfhood'.
Mame-Diarra Niang and Viviane Sassen feature in Memento. Photography, interrupted at Huis Marseille. The exhibition highlights key works collected by the museum over 25 years, reflecting 'the important changes that have taken place in society and art practice in particular'.
Call Me When You Get There by Mame-Diarra Niang features in On View, Encounters with the Photographic at Pinakothek der Moderne. For the first time, the Collection of Photography and Time-Based Media and the Ann and Jürgen Wilde Foundation jointly present key photographic works from their holdings.
Morphologie du rêve #6 by Mame-Diarra Niang features in Out of focus, another vision of art from 1945 to the present day, a group exhibition at Musée de l'Orangerie focusing on artists that make use of the blur, opting for 'the indeterminate, the indistinct and allusion'.
Remember to Forget, Mame-Diarra Niang's first institutional solo show in Europe takes place at Foundation Henri Cartier-Bresson. The exhibition features Niang's most recent photographic series with her latest, Æther (2024), being shown for the first time.
Mame-Diarra Niang features in Glitch: The Art Of Interference at Pinakothek de Moderne. The exhibition pays attention to the ways, '“glitch art” specifically draws attention to the productive side of the flawed' through the work of 50 international artists.
Zeitz MOCAA presents Self as a Forgotten Monument, a survey of Mame-Diarra Niang's work. Featuring sound, installation and Niang's key photographic trilogies, the exhibition is conceptualised as 'an invitation to embrace the artist’s notion of the 'plasticity of territory''.
Mame-Diarra Niang features in UNBOUND: PERFORMANCE AS RUPTURE at the Julia Stoschek Foundation. The show 'examines how different generations of artists have called upon the body in relation to the camera to refuse oppressive ideologies' from the 1960s to today.
Mame-Diarra Niang and curator Valentine Umansky discuss Niang's book The Citadel at Tate Modern as part of OFFPRINT, LUMA foundation's platform for socially-engaged publishers in the fields of arts and visual culture.
Mame-Diarra Niang speaks to the director of Huis Marseille, Nanda van den Berg about her new artist-book, The Citadel. The three-volume publication charts an 'inner journey of discovery, loss, and renewal'. A book-signing will follow the talk.
Mame-Diarra Niang presents a new chapter of Since Time Is Distance in Space as part of The Matter Art Project at DAK'ART OFF 2022. This iteration of her multi-channel audio and visual installation continues Niang's discussion on existing in 'the past, the present and the future'.
Sahel Gris, At the Wall and Metropolis by Mame-Diarra Niang are brought together by Mack Publishers as The Citadel: a trilogy, a three-volume edition which articulates the artist's 'personal but analytic relationship with place'.
Mame-Diarra Niang and Thenjiwe Niki Nkosi will feature in the 15th Sharjah Biennale. This highly anticipated edition, including over 150 artists, was conceived by Okwui Enwezor and is curated by Hoor Al Qasimi under the title Thinking Historically in the Present.
Edson Chagas, Zanele Muholi, Mame-Diarra Niang, Jo Ractliffe, Penny Siopis, and Guy Tillim exhibit in Shifting Dialogues: Photography from The Walther Collection at Kunstsammlung Nordrhein-Westfalen. Spanning over 500 works, the show 'traces the development of photography as a history of transnational parallels and contradictions'.
Edson Chagas, Mame-Diarra Niang, Frida Orupabo and Jo Ractliffe exhibit in the 8th Triennial of Photography Hamburg, curated by Koyo Kouoh. Themed Currency, this edition of the triennial stages a parcours of exhibitions at major museums and institutions across the city, publications and progamming.
Mame-Diarra Niang exhibits Call Me When You Get There at this year's Fotofestival Naarden. Titled The Art of Living, this edition focuses on the 'photographic solemnisation of life' and the art of 'self-willed, resilient, artistic, creative and everyday people'.
Mame-Diarra Niang features in Movin'Grounds, a group exhibition at 38CC exploring notions around place and territory.
Mame-Diarra Niang and Viviane Sassen exhibit in Pictures From Another Wall at the De Pont Museum. The exhibition forms part of Huis Marseille's celebration of its 20th anniversary, spanning over 100 works from their collection.
Huis Marseille in Amsterdam presents a selection of African photography from the Walther Collection, including works by Mame-Diarra Niang, Pieter Hugo, Zanele Muholi and Guy Tillim, bringing together these and other photographers' different perspectives on their countries and continent.
Mame-Diarra Niang features in sempre, nunca (always, never), an exhibition at the 33rd Bienal de São Paulo, curated by Wura-Natasha Ogunji. Titled Affective Affinities, this year's biennale aims to 'avoid an overarching theme that could prompt pre-established understandings.'
Edson Chagas, Simon Gush and Mame-Diarra Niang feature in Deconstructed Spaces, Surveyed Memories a group exhibition presented by The Walther collection at the 11th Rencontres de Bamako. This show 'acknowledges the complexities and differing conceptions that can resound through each urban space, personal memory, or social community'.
Edson Chagas, Simon Gush and Mame-Diarra Niang are included in Recent Histories - New African Photography at the Walther Collection. Featuring 14 contemporary artists of African descent, born in the early 1970s and onwards, the exhibition investigates social identity, questions of belonging and an array of sociopolitical concerns.
